Albert Bierstadt
Albert Bierstadt's Oil Paintings
Albert Bierstadt Museum
Jan 8, 1830 - Feb 18, 1902. German-American painter.

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BIJLERT, Jan van
Ulysses and Circe - Oil on panel

ID: 62371

BIJLERT, Jan van Ulysses and Circe - Oil on panel
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BIJLERT, Jan van Ulysses and Circe - Oil on panel


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BIJLERT, Jan van

Dutch painter, Utrecht school (b. 1597/98, Utrecht, d. 1671, Utrecht) Dutch painter. He was the son of the Utrecht glass painter Herman Beerntsz. van Bijlert (c. 1566-before 1615). Jan must have trained first with his father but was later apprenticed to the painter Abraham Bloemaert. After his initial training, he visited France and travelled to Italy, as did other artists from Utrecht. Jan stayed mainly in Rome, where he became a member of the Schildersbent; he returned to Utrecht in 1624. In Rome he and the other Utrecht artists had come under the influence of the work of Caravaggio; after their return home, this group of painters, who became known as the UTRECHT CARAVAGGISTI, adapted the style of Caravaggio to their own local idiom. The Caravaggesque style, evident in van Bijlert's early paintings.  Related Paintings of BIJLERT, Jan van :. | The Flower Basket | Madonna with the pear | Vanitas Still-Life | European city landscape, street landsacpe, construction, frontstore, building and architecture. 098 | French Cafe |
Related Artists:
Ernest Francis Vacherot
painted Arrival of Marshal Randon in Algiers in 1857.
Mura, Francesco de
Italian, 1696-1782 Italian painter. He was educated initially in the workshop of Domenico Viola at Naples, but in 1708 he entered the school of Francesco Solimena, whose favourite pupil and most trusted collaborator he became. At first he followed closely Solimena's monumental Baroque manner, as in the frescoes (1715) in S Nicola alla Carit? in Naples, but later developed a more controlled and refined style of rhythmical lines, light and airy colours and delicate psychological overtones. He employed this new style in his ten canvases of the Virtues and his vast Adoration of the Magi (all 1728; Naples, S Maria Donnaromita) and, above all, in his frescoes of the Adoration of the Magi in the apsidal dome of the church of the Nunziatella, Naples (1732; in situ). De Mura was also active as a portrait painter; his Portrait of the Artist's Wife
Konrad Alexander Muller-Kurzwelly
painted Gehoft in Mecklenburg in 1885






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